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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">edscience</journal-id><journal-title-group><journal-title xml:lang="ru">Образование и наука</journal-title><trans-title-group xml:lang="en"><trans-title>The Education and science journal</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">1994-5639</issn><issn pub-type="epub">2310-5828</issn><publisher><publisher-name>RSVPU</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.17853/1994-5639-2021-8-84-110</article-id><article-id custom-type="elpub" pub-id-type="custom">edscience-2395</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ОБЩИЕ ВОПРОСЫ ОБРАЗОВАНИЯ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>GENERAL EDUCATION</subject></subj-group></article-categories><title-group><article-title>Музыкально-компьютерная деятельность: особенности профессиональной подготовки специалистов</article-title><trans-title-group xml:lang="en"><trans-title>Computer-based music production: Specifics of professional training</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0003-4134-665X</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Коновалов</surname><given-names>А. А.</given-names></name><name name-style="western" xml:lang="en"><surname>Konovalov</surname><given-names>A. A.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Коновалов Антон Андреевич – кандидат педагогических наук, доцент кафедры музыкально-компьютерных технологий</p><p> Екатеринбург</p></bio><bio xml:lang="en"><p>Anton A. Konovalov – Cand. Sci. (Education), Associate Professor, Department of Music and Computer Technologies</p><p>Ekaterinburg</p></bio><email xlink:type="simple">anton-andreevi4@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-6381-9430</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Буторина</surname><given-names>Н. И.</given-names></name><name name-style="western" xml:lang="en"><surname>Butorina</surname><given-names>N. I.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Буторина Наталья Иннокентьевна – кандидат педагогических наук, доцент кафедры музыкально-компьютерных технологий</p><p>Екатеринбург</p></bio><bio xml:lang="en"><p>Natalia I. Butorina – Cand. Sci. (Education), Associate Professor Department of Music and Computer Technologies</p><p>Ekaterinburg</p></bio><email xlink:type="simple">nainnrgppu@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Российский государственный профессионально-педагогический университет</institution></aff><aff xml:lang="en"><institution>Russian State Vocational Pedagogical University</institution></aff></aff-alternatives><pub-date pub-type="collection"><year>2021</year></pub-date><pub-date pub-type="epub"><day>14</day><month>10</month><year>2021</year></pub-date><volume>23</volume><issue>8</issue><fpage>64</fpage><lpage>110</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Коновалов А.А., Буторина Н.И., 2021</copyright-statement><copyright-year>2021</copyright-year><copyright-holder xml:lang="ru">Коновалов А.А., Буторина Н.И.</copyright-holder><copyright-holder xml:lang="en">Konovalov A.A., Butorina N.I.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.edscience.ru/jour/article/view/2395">https://www.edscience.ru/jour/article/view/2395</self-uri><abstract><sec><title>Введение</title><p>Введение. Мировой наукой процесс подготовки специалистов для большинства отраслей экономики сегодня содержательно разработан и регламентирован. Исключение на сегодняшний день, пожалуй, составляют творческие направления профессиональной деятельности, которые играют важную роль в обществе, и на подготовку специалистов в творческих областях деятельности существует объективный запрос. Однако, в науке и практике до сих пор нет единого ответа на вопрос, каким образом должна осуществляться подготовка специалистов творческих областей профессиональной деятельности. Эффективным решением данной проблемы может стать образовательная модель, основанная на современных подходах и принципах обучения.</p><p>Цель статьи состоит в раскрытии содержания и результатов апробации модели профильной подготовки специалистов в области музыкально-компьютерной деятельности. Методология, методы и методики. Методологической основой статьи являются концепции компетентностного, деятельностного, технологического и личностно-ориентированного подходов к образованию; научные труды ученых по проблемам использования музыкально-компьютерных технологий в образовании; теория и практика применения моделей обучения в высшей школе.</p><p>Ведущим методом стало моделирование образовательного процесса в профильной подготовке специалистов в области музыкально-компьютерной деятельности. Проведено опытно-поисковое исследование, в котором приняли участие студенты и преподаватели высшей школы (n = 83 человек), были задействованы методы анкетного опроса, тестирование и метод выполнения практических заданий, методика определения мотивации к учебной музыкально-компьютерной деятельности, метод Фишера.</p><p>Результаты и научная новизна. В статье представлена авторская модель профильной музыкально-компьютерной подготовки специалистов, включающая четыре основных блока: мотивационно-целевой, содержательно-логический, деятельностно-технологический и диагностический (оценочно-результативный). Новизна модели определяется реализацией ведущей инновационной учебной деятельности обучающихся, особенностью которой является создание, обработка и воспроизведение музыкального материала с применением музыкально-компьютерных технологий. Важной составляющей модели является комплекс педагогических технологий, входящий в деятельностно-технологический блок и включающий такие технологии, как: интерактивные, проектные, исследовательские, технологии моделирования, индивидуализации обучения и информационно-компьютерные технологии. Эффективность содержания предложенной образовательной модели подтверждается результатами опытно-поискового исследования по внедрению этой модели в условиях освоения студентами музыкально-компьютерных дисциплин в реальном образовательном процессе педагогического вуза – полученные данные обнаружили высокий (достаточном и продвинутом) уровень сформированности музыкально-компьютерных компетенций у студентов.</p></sec><sec><title>Практическая значимость</title><p>Практическая значимость. Модель подготовки специалистов может стать отдельным элементом образовательной программы, обеспечивающей подготовку специалистов в области музыкально-компьютерной деятельности. Материалы исследования могут иметь значение для дальнейшего развития образовательной науки и практики подготовки специалистов других творческих направлений профессиональной деятельности.</p></sec></abstract><trans-abstract xml:lang="en"><sec><title>Introduction</title><p>Introduction. The process of professional training in most economic sectors is now thoroughly developed and regulated by global science. Today, the exception is the creative directions of professional activity, which play an important role in society. Therefore, there is a reasonable request for the professional training in creative industries. However, in science and practice, it is still not clear how professional training in creative industries should be carried out. An educational model, based on modern approaches and principles of learning, can be an effective solution to this problem.</p></sec><sec><title>Aim</title><p>Aim. The present research aimed to disclose the content and results of approbation of the model of professional training in computer-based music production.</p><p>Methodology and research methods. The research methodological framework is based on the concepts of competency-based, activity-based, technological and personality-oriented approaches to education; research papers on the problems of using computer music technologies in education; theory and practice of teaching models application in higher education.</p><p>The leading method was the modelling of the educational process in specialised training in the field of computer-based music production. An experimental research study was carried out with the participation of students and teachers of higher education (n = 83 people). The authors employed the following methods: a questionnaire survey, testing, practical assignments, measurement of motivation for educational computer-based music production, the Fisher’s method.</p><p>Results and scientific novelty. The current research paper presents the authors’ model of specialised computer-based musical instruction, which includes four main units: motivational-targeted, content-logical, activity-technological and diagnostic (evaluative-productive). The novelty of the model is determined by the implementation of the leading innovative educational activity of students, which is characterised by the production, processing and reproduction of musical material using musical computer technologies. An important component of the model is a complex of pedagogical technologies, which is a part of the activity-technological unit and includes the following technologies: interactive, design, research, modelling technologies, individualisation of training, computer and information technologies. The effectiveness of the content of the proposed educational model is confirmed by the results of the experimental research study on the implementation of this model in the conditions of student mastery of computer-based music production disciplines in the real educational process of a pedagogical university. The data obtained revealed a high (sufficient and advanced) level of formation of computer-based musical competencies among students.</p></sec><sec><title>Practical significance</title><p>Practical significance. The model for specialist training can become a separate element of the educational programme, which provides training for specialists in computer-based music production. The research materials may have implications for the further development of educational science and the practice of specialist training in other creative industries.</p></sec></trans-abstract><kwd-group xml:lang="ru"><kwd>профессиональное образование</kwd><kwd>образовательная модель</kwd><kwd>музыкально-компьютерные технологии</kwd><kwd>музыкально-компьютерная деятельность</kwd><kwd>педагогические технологии</kwd></kwd-group><kwd-group xml:lang="en"><kwd>professional education</kwd><kwd>educational model</kwd><kwd>computer music technologies</kwd><kwd>computer-based music production</kwd><kwd>pedagogical technologies</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Chao-Fernandez R., Román-García S., Chao-Fernandez A. Analysis of the use of ICT through Music Interactive Games as Educational Strategy // Procedia Social and Behavioral Sciences. 2017. № 237. С. 576–580. 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