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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">edscience</journal-id><journal-title-group><journal-title xml:lang="ru">Образование и наука</journal-title><trans-title-group xml:lang="en"><trans-title>The Education and science journal</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">1994-5639</issn><issn pub-type="epub">2310-5828</issn><publisher><publisher-name>RSVPU</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.17853/1994-5639-2026-4181</article-id><article-id custom-type="elpub" pub-id-type="custom">edscience-5485</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ПРОФЕССИОНАЛЬНОЕ ОБРАЗОВАНИЕ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>VOCATIONAL EDUCATION</subject></subj-group></article-categories><title-group><article-title>Виртуальные музеи как способ изучения традиционных музыкальных инструментов Индонезии</article-title><trans-title-group xml:lang="en"><trans-title>Virtual museums: a tool for studying traditional Indonesian musical instruments</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0001-6637-3297</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Сукмаяди</surname><given-names>Ю.</given-names></name><name name-style="western" xml:lang="en"><surname>Sukmayadi</surname><given-names>Y.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Юди Сукмаяди - профессор (образовательная программа по искусству) Школы послевузовского образования</p><p>Бандунг</p></bio><bio xml:lang="en"><p>Yudi Sukmayadi - Professor (Art Education Study Programme), School of Postgraduate Studies</p><p>Bandung</p></bio><email xlink:type="simple">yudi.sukmayadi@upi.edu</email><xref ref-type="aff" rid="aff-1"/></contrib><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-9833-9808</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Суприатна</surname><given-names>Н.</given-names></name><name name-style="western" xml:lang="en"><surname>Supriatna</surname><given-names>N.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Нананг Суприатна - профессор (образовательная программа по музыкальному образованию) факультета художественного и дизайнерского образования</p><p>Бандунг</p></bio><bio xml:lang="en"><p>Nanang Supriatna - Professor (Music Education Study Programme), Faculty of Art and Design Education</p><p>Bandung</p></bio><email xlink:type="simple">supriatna61@upi.edu</email><xref ref-type="aff" rid="aff-1"/></contrib><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-4960-4126</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Мунир</surname><given-names>.</given-names></name><name name-style="western" xml:lang="en"><surname>Munir</surname><given-names>.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Мунир - профессор (образовательная программа по информатике) факультета математического и естественнонаучного образования</p><p>Бандунг</p></bio><bio xml:lang="en"><p>Munir - Professor (Computer Science Study Programme), Faculty of Mathematics and Science Education</p><p>Bandung</p></bio><email xlink:type="simple">munir@upi.edu</email><xref ref-type="aff" rid="aff-1"/></contrib><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-6305-8299</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Селла</surname><given-names>Ф.</given-names></name><name name-style="western" xml:lang="en"><surname>Sella</surname><given-names>F.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Фенси Селла - доцент (образовательная программа по музыкальному искусству) факультета художественного и дизайнерского образования</p><p>Бандунг</p></bio><bio xml:lang="en"><p>Fensy Sella - Assistant Professor (Music Art Education Study Programme), Faculty of Arts and Design Education</p><p>Bandung</p></bio><email xlink:type="simple">fensysella@upi.edu</email><xref ref-type="aff" rid="aff-1"/></contrib><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-5105-4311</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Мидьянти</surname><given-names>Х. И.</given-names></name><name name-style="western" xml:lang="en"><surname>Midyanti</surname><given-names>H. I.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Хафизха Инсани Мидьянти - доцент (образовательная программа по музыке) факультета художественного и дизайнерского образования</p><p>Бандунг</p></bio><bio xml:lang="en"><p>Hafizhah Insani Midyanti - Assistant Professor (Music Study Programme), Faculty of Arts and Design Education</p><p>Bandung</p></bio><email xlink:type="simple">dicemidyanti@upi.edu</email><xref ref-type="aff" rid="aff-1"/></contrib><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-6781-2682</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Курниавати</surname><given-names>Л.</given-names></name><name name-style="western" xml:lang="en"><surname>Kurniawati</surname><given-names>L.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Лели Курниавати - доцент (образовательная программа дошкольного образования) факультета педагогики</p><p>Бандун</p></bio><bio xml:lang="en"><p>Leli Kurniawati - Associate Professor (Early Childhood Education Study Programme), Faculty of Education</p><p>Bandung</p></bio><email xlink:type="simple">leli.kurniawati@upi.edu</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Индонезийский педагогический университет</institution><country>Индонезия</country></aff><aff xml:lang="en"><institution>Universitas Pendidikan Indonesia</institution><country>Indonesia</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2026</year></pub-date><pub-date pub-type="epub"><day>06</day><month>10</month><year>2026</year></pub-date><volume>28</volume><issue>8</issue><fpage>75</fpage><lpage>102</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Сукмаяди Ю., Суприатна Н., Мунир .., Селла Ф., Мидьянти Х.И., Курниавати Л., 2026</copyright-statement><copyright-year>2026</copyright-year><copyright-holder xml:lang="ru">Сукмаяди Ю., Суприатна Н., Мунир .., Селла Ф., Мидьянти Х.И., Курниавати Л.</copyright-holder><copyright-holder xml:lang="en">Sukmayadi Y., Supriatna N., Munir .., Sella F., Midyanti H.I., Kurniawati L.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.edscience.ru/jour/article/view/5485">https://www.edscience.ru/jour/article/view/5485</self-uri><abstract><p>Введение. Иммерсивная виртуальная реальность способна расширить доступ к традиционным музыкальным инструментам для более широкой аудитории, включая тех, для кого прямое освоение этих инструментов недоступно. Цель – исследовать восприятие преподавателями педагогических возможностей виртуального музея западно-яванских музыкальных инструментов (EduLaras Virtual Museum). Методология, методы и методики. 32 преподавателя искусства и культуры, отобранные методом целенаправленной выборки, после пробного сеанса работы в музее заполнили опросник из 37 пунктов по шкалам UTAUT и TPACK, стандартную шкалу SUS и ответили на пять открытых вопросов. Восприятие музея оценивалось через три конструкта UTAUT: ожидание производительности (уверенность в том, что музей повысит эффективность работы), ожидание усилий (насколько легко освоить и использовать систему) и социальное влияние (ощущение поддержки со стороны коллег, руководства и образовательных норм). Анализ включал также описательную статистику оценок, SUS (проверку внутренней согласованности как пилотного показателя) и качественный контент-анализ открытых ответов. Результаты. Все три конструкта UTAUT превысили условия, облегчающие внедрение предлагаемой технологии: ожидание производительности (M = 3,94; SD = 0,60), ожидание усилий (M = 3,78; SD = 0,68) и социальное влияние (M = 3,82; SD = 0,65). Это говорит о высокой оценке полезности и удобства музея и о воспринимаемой поддержке со стороны значимых других, тогда как созданная организационно-техническая инфраструктура оценивалась ниже. Показатель SUS оказался высоким (M = 90,23; SD = 9,49; медиана = 92,50; размах = 62,50–100; α = 0,938), причем 21 участник набрал не менее 90 баллов, а шестеро – 100. Такое смещение оценок к верхней границе шкалы свидетельствует о выраженном «эффекте потолка». Качественный анализ показал, что преимуществами чаще всего называли учебную поддержку (18/32) и вовлеченность (15/32), а ожидаемыми барьерами – ресурсы, доступ и стоимость (23/32), а также обучение и адаптацию (13/32). Научная новизна. Выявлен разрыв между удобством использования и готовностью к внедрению. Музей показался удобным на ознакомительном сеансе, однако это не означало готовности включить его в учебный процесс. Такая готовность зависела от организационных ресурсов, педагогической интеграции и управления. Практическая значимость связана с совместным использованием оборудования виртуальной реальности, организацией краткосрочного обучения и поддержки при затруднениях, а также итеративной проверкой акустических, ритмических и симуляционных активностей.</p></abstract><trans-abstract xml:lang="en"><p>Introduction. Immersive virtual reality has the potential to expand access to traditional musical instruments for a broader audience, including individuals who cannot directly master these instruments. Aim. The present paper aims to investigate teachers’ perceptions of the pedagogical affordances of the EduLaras Virtual Museum, a virtual museum of West Javanese musical instruments. Methodology and research methods. Thirty-two arts and culture teachers, selected through purposive sampling, completed a 37-item questionnaire based on the UTAUT and TPACK frameworks, as well as the standard System Usability Scale (SUS). They also responded to five open-ended questions following a trial session at the museum. Perceptions of the museum were assessed using three UTAUT constructs: performance expectancy (the belief that the museum would enhance work effectiveness), effort expectancy (the ease of learning and using the system), and social influence (perceived support from colleagues, management, and educational norms). The analysis included descriptive statistics of the ratings, evaluation of the SUS with internal consistency assessed as a pilot indicator, and qualitative content analysis of the open-ended responses. Results. All three UTAUT constructs – performance expectancy (M = 3.94, SD = 0.60), effort expectancy (M = 3.78, SD = 0.68), and social influence (M = 3.82, SD = 0.65) – exceeded the facilitating conditions for adopting the proposed technology. This suggests a strong perception of the museum’s usefulness and ease of use, as well as perceived support from significant others, whereas the organisational and technical infrastructure received lower ratings. The SUS score was high (M = 90.23, SD = 9.49; median = 92.50; range = 62.50–100; α = 0.938), with 21 participants scoring at least 90 and six achieving a perfect score of 100. This distribution indicates a pronounced ceiling effect. Qualitative analysis revealed that the most frequently cited benefits were instructional support (18/32) and engagement (15/32), while anticipated barriers included resources, access, and cost (23/32), as well as training and adaptation (13/32). Scientific novelty. A gap was identified between ease of use and readiness for adoption. Although the museum appeared easy to use during the introductory session, this did not necessarily indicate readiness to integrate it into the teaching process. Such readiness depended on organisational resources, pedagogical integration, and management support. Practical significance. The practical significance lies in the shared use of virtual reality equipment, the provision of short-term training and support when challenges arise, and the iterative testing of acoustic, rhythmic, and simulation activities.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>виртуальная реальность</kwd><kwd>виртуальный музей</kwd><kwd>пилотное исследование с участием учителей</kwd><kwd>Западная Ява</kwd><kwd>традиционная музыка</kwd><kwd>воспринимаемое удобство</kwd><kwd>UTAUT</kwd><kwd>TPACK</kwd></kwd-group><kwd-group xml:lang="en"><kwd>virtual reality</kwd><kwd>virtual museum</kwd><kwd>teacher pilot study</kwd><kwd>West Java</kwd><kwd>traditional music</kwd><kwd>perceived usability</kwd><kwd>UTAUT</kwd><kwd>TPACK</kwd></kwd-group><funding-group><funding-statement xml:lang="ru">Данное исследование было профинансировано в рамках Исследовательской программы на 2024 финансовый год под руководством Директората по исследованиям, технологиям и обслуживанию общества (DRTPM) Генерального директората по высшему образованию, исследованиям и технологиям Министерства образования, культуры, исследований и технологий Республики Индонезия согласно Решению № 082/E5/PG.02.00.PL/2024 от 11 июня 2024 года.</funding-statement><funding-statement xml:lang="en">This study was funded by the Research Programme for the Fiscal Year 2024, under the Directorate of Research, Technology, and Community Service (DRTPM) of the Directorate General of Higher Education, Research, and Technology, Ministry of Education, Culture, Research, and Technology of the Republic of Indonesia, as stated in Decree Number 082/E5/PG.02.00.PL/2024, dated 11 June 2024.</funding-statement></funding-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Ling S.I. 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